Statements. Who are we really behind our strategically composed facades? She is best known for her portraits, all inspired by printed images or photographs which she has (often, but not always) taken Marlene Dumas (born in Cape Town in 1953) has made a selection of her Magdalens and pinups in ink wash and watercolour. Bekijk meer ideeën over marlene dumas, kunstenaar, beeldende kunst. in my work as elsewhere in life, i guess i always look for some measure of ambivalence. In the same series, Dumas also painted a portrait that resembles Osama Bin Laden entitled The Pilgrim. "Marlene Dumas Artist Overview and Analysis". Life and work. ", "Painting doesn't freeze time. Dumas is not a conceptual artist - the reactions she seeks are emotional as well as mental, as is the process of artistic creation itself: 'I deal with second-hand images and first-hand experiences' (Dumas, quoted in D. van den Boogerd, 'Survey: Hang-ups and Hangovers in the Work of Marlene Dumas,' pp. As a white person in South Africa, using self-portrait is a strong political statement, which makes the painting even more powerful. This along with her washed out color palette and vacillation between sharpness and blur contribute to her status as iconic painter with a singular signature visual voice. But such wonderful, washed out, transparent colors of dark red-brown, deep purpleblue and variations of charcoal on a living body, and such frightful tones of whitish green and bluish mist on a dead body or face, make Marlene Dumas an exceptional painter. Sweet Nothings. Dumas plays with the iconic, romantic representation of a painter with a bit of humor. Who are we really behind our strategically composed facades? the-artists.org is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by linking to Amazon.com. Dumas in the painting does not seem as light but much more thoughtful. By Robert Enright, Meeka Walsh. 37 (1993), p.140; and included in Marlene Dumas, Sweet Nothings. As a white person in South Africa, using self-portrait is a strong political statement, which makes the painting even more powerful. I have now been living in Europe for 40 years and this is the first time that I publicly describe myself also as a European. The brutal assassination caused great social turmoil in the Netherlands, increasing feelings of fear, xenophobia, and Islamophobia. In it, the little boy also seems angry and threatening as he holds a grenade in his hand, yet he was merely growing impatient with the photographer and only wanted to return to his toys. (illustrated in color). “I always zoom in on the human body and the human face,” she explained, referring to her previous work, “but here I wanted to tackle space. They are all supposed to help you, but I like to stay in bed, where I have a chance to reflect, like Rossellini. Welcome portfolio artist statement portfolio artist statement That's why dead painters shine so bright. She looks behind her, to where she comes from, with an ironic smile. All Rights Reserved, Marlene Dumas. Dumas, Marlene, 1953-Marlene Dumas : measuring your own grave I organized by Cornelia Butler; essays by Cornelia Butler ... [et al.]. This very controversial image was taken down in the Netherlands and is part of the Man Kind series, one of Dumas' most political series. the saatchi galleryIn Young Boys, Marlene Dumas’s line-up of ghostly lads is stark and oppressed against the ominous background, trailing off in the distance into mere sketchy traces of suggestion. Marlene Dumas is celebrated around the world for her highly charged depictions of the human form. See more ideas about Marlene dumas, Dumas, South african artists. Marlene Dumas (born 1953) is one of the most highly regarded contemporary painters working today. Marlene Dumas. I don’t like being paternalised and colonised by every Tom, Dick and Harry that comes along (male or female).”. South African artist Marlene Dumas has cultivated a unique position within the world of figurative painting since the early 1980s, focusing on how the human body is translated into an image. Biography Marlene Dumas is a contemporary South African painter, whose figurative works have earned her a place among the most influential painters of the 20th and 21st centuries. Biography and art, auction, artworks, interview, statement, website. This survey exhibition of her paintings and drawings spans the last four decades—a time of turmoil in the world, and occasionally in her own life, which she has responded to with works of acute observation and searing emotional impact. These women include. In her oil paintings, drawings and watercolors she captures the body in all its states, from pain to pleasure, eroticism to pathos, birth to death. ” Working in a style that has been called “neo-expressionist” and “conceptualist,” Dumas creates lush, often disturbing and unnerving images of racial, sexual, and cultural subjectivity… ", Dumas is part of a contemporary lineage of female figurative painters that have elevated the portrait from its roots in vanity, using it to depict personal, psychological, social, and political concerns. ", "Painting is a very slow art. The upper part of the body is bluish while the rest is yellow to white; the face is even paler. The Lancet Psychiatry / Like many figurative painters who bloomed in the 60s and 70s after the pop cultural explosion, Dumas works primarily from photographs garnered from the pages of contemporary newspapers and magazines, or film stills, oftentimes co-opting portions of an image like an abstract painter, and presenting it absent of its original context. 147 / Dumas began painting in 1973 and showed her political concerns and reflections on her identity as a white woman of Afrikaans descent in South Africa. The artist reveals a new face to help understand universal racial intolerance, while simultaneously achieving a powerful pictorial statement. Dominic van den Boogerd, art critic and author on figurative painter Marlene Dumas, uncovers the complexities of a controversial work from 2006. "Markowitz´s elegant approach emerges from the depths, from the zone of that very fine line … Read the full statement: My Europe. Today, she is considered one of the most influential and iconic artists of the 21st century for her intimate, and yet estranged figurative portraits that explore the complexities of identity, and also for her politically-charged social art. South African born artist Marlene Dumas has been called “one of the hottest names in contemporary art. Marlene Dumas, born in Cape Town in South Africa in 1953, is one of the most successful artists of the last decades. Dumas dose not use models, but instead takes her images from mass media and popular culture sources, particularly newspapers and television. 8-feb-2019 - Bekijk het bord 'marlene dumas' van Kris Rits, dat wordt gevolgd door 152 personen op Pinterest. Wiping paint off as often as painting positive emphatic marks, she gives us cheekbones or a forehead, a proffered anus and balls or a vulva using hardly anything.". An Appetite for Painting conference: Marlene Dumas. In the mid 1980s, when she finished this painting, apartheid was at its height. Cherchez la Femme Peintre! What darker truths simmer beneath our everyday lives? What do the critics say? Those who were first might well be last. This contrast between violence and innocence would mark much of Dumas' work. Born Aug 3 1953, Kuilsrivier, South Africa. She is naked and eerily luminous with translucent flesh. The abstract painters always insist on their connection with the visible reality, while the so called figurative artists insist that what they really care about, is the abstract qualities of life. Titian, Rubens, Delacroix, they all showed that the color of the skin in painting can take a full range of blues, reds and greens. Marlene Dumas. The pleasure of what it could mean and the pain of what it's not.". This is painting with no frills: full on, with nowhere to hide…, articleSouth African born artist Marlene Dumas has been called “one of the hottest names in contemporary art.”  Working in a style that has been called “neo-expressionist” and “conceptualist,” Dumas creates lush, often disturbing and unnerving images of racial, sexual, and cultural subjectivity…, review“I write about art because I want to speak for myself. / What darker truths simmer beneath our everyday lives? A Parkett Inquiry, vol. I don't go to a gym. Dumas does not idealise the body, but shows it frankly as a source of temptation and pleasure, taking photographs from sex magazines and Polaroid pictures as her models. [Internet]. Raised in white South Africa knee deep amongst apartheid, the artist learned young that life was a study in contradictions and duality. Marlene Dumas: Eros and Thanatos Who would have predicted, twenty years ago, when painting had been pronounced "dead" and figure painting deader still, that today's hottest-selling woman artist would be a painter -- and a figure painter, at that? Questioning her own identity, Dumas places herself with humility as a potential perpetrator of evil acts and glances at the viewer as if saying: It could have been me, it could have been you. The artist’s self-portrait Het Kwaad is Banaal (Evil is Banal), 1984, oil on canvas, 49 3/16" x 41 5/16." Painting is a very slow art. The generalizing title of "The Painter" adds another layer to consider. His latest works have evolved to figurative expression and are inspired by the works of Egon Schiele, Marlene Dumas, Leonor Fine, and the Fauve style of KeesVan Dongen. p.cm. Her nudity gives her a barbarous air and she has been sometimes described as "an evil force of destruction." Why should artists be validated by outside authorities? Catalogue of an exhibition held at The Museum of Contemporary Art, Los Angeles, June 22-Sept. 22, 2008, and at The Museum of Modern Art, N.Y., Dec. 14-Feb. 16,2009. She has commented about this portrait: I have not come to propagate freedom. The artist's role becomes one of mass manipulator in which she willingly pulls the puppet strings of a viewer's emotion in order to provoke reflection on personal culpability. August 2018, By Claire Messud / The books and articles below constitute a bibliography of the sources used in the writing of this page. Notes and Texts 1982-2014, Website Marlene Dumas: resources and references, The Worth of Living and Loving: An Interview with Marlene Dumas', Rapture and rejects: the beautiful, flawed world of Marlene Dumas, Marlene Dumas about her exhibition "Moonrise. ", "My best works are erotic displays of mental confusions (with intrusions of irrelevant information). 12 (December 1982): p. 14-19; and included as ‘Background’ in Marlene Dumas, Sweet Nothings.Notes and Texts, first edition Galerie Paul Andriesse and De Balie Publishers Amsterdam, 1998; and second edition (revised and expanded) Koenig Books London, 2014. ©2021 The Art Story Foundation. She constantly probes reflection on our individual responsibility, as well as her own, through her explorations into society's darker themes such as death, war, racism, and sex. It doesn't travel with the speed of light. A parallel can be drawn with Diane Arbus' famous photograph Child with a toy hand grenade in Central Park, NYC (1962). Includes bibliographical references. The New York Times Magazine / Save my name, email, and website in this browser for the next time I comment. Border Crossings, no. He looks rather calm and peaceful. ‘The Meaning of Drawing’. Today, The Neighbor is said to be the most famous work by Dumas in the Netherlands. She looks behind her, to where she comes from, with an ironic smile. articleSpeaking at the opening of her first exhibition of new works in New York in almost a decade and her first solo show here since a 2008 retrospective at MoMA, Marlene Dumas stood in front of an ebullient self-portrait, the only recognizable trace of her former self in the series of new paintings. It doesn't travel with the speed of light. Notes and Texts, first edition Galerie Paul Andriesse and De Balie Publishers Amsterdam, 1998; and second edition (revised and expanded) Koenig Books London, 2014. Dumas in the painting does not seem as light but much more thoughtful. I might not be the only authority, nor the best authority, but I want to participate in the writing of my own history. Art critic Adrian Searle said of Dumas' paintings: "I am often struck by how little there seems to be on the canvas. Marlene Dumas, South African-born Amsterdam-based artist, is perhaps one of the most significant practising contemporary painters. I have come to show the disease symptoms of my time. These also suggest some accessible resources for further research, especially ones that can be found and purchased via the internet. August 20, 2014, By Adrian Searle / A selective biography of Marlene Dumas. Marlene Dumas & Edvard Munch at the Munch Museum in Oslo (October 9, 2018). There is a heaviness to the paintings of the South African-born, Dutch-based artist Marlene Dumas, as if they might fall off the wall and break the floor. Originally published in Dutch Art + Architecture Today, no. Sylvia Batycka Cart 0. New York, Zwirner & Wirth, Marlene Dumas: Selected Works, February-April 2005, n.p. The tension between our fears of appearing racist and our fears of potential danger has become a modern-day reality and Dumas' ability to emphasize this marks a key component of her artistic genius. flash artLet’s be clear; it’s not about the color of the skin. Even if I have to admit I have never seen in the history of painting such a wide palette of colors for the surface of the naked human body as I have seen in the paintings of Marlene Dumas. Castello di Rivoli, The Particularity of Being Human, Francis Bacon Marlene Dumas, September-October 1995, p. 133 (illustrated in color). The New York Times Style Magazine / The striking portrait is based on a snapshot of Dumas' own daughter, Helena, who was simply finger painting on a hot summer day. December 2014, By Deborah Solomon / February 2, 2015, By Rodney Bolt / Dumas clearly draws a parallel between the Nazi regime and the policies and practices of the apartheid. In Dumas' hands, the image becomes a burden, asking the viewer to consider what is seen versus what isn't seen. Dumas joined other South African artists engaged actively in diverse forms of political, social and cultural critique and resistance. Dumas desires to dignify the individual, celebrating diversity and the humane in times of identity crisis. 27 May – 25 July 2020 & 2 September – 10 October 2020 Yet, with nothing to clearly identify the portrait as a real criminal, we realize he could simply be another of our "neighbors." However, this portrait is based on a well-known newspaper photograph of Mohammed Bouyeri, convicted in 2004 for the murder of Dutch filmmaker and journalist Theo van Gogh. The contrast between violence and innocence, and our own communal participation on that varied shades of gray scale, marks much of Dumas' work. Helena has commented about this work that it is one of the best paintings her mother has ever done. Marlene Dumasartworks on eBayOriginal artworks, prints, exhibition posters, monographs, books, collectibles. It’s this suggestion that Dumas does best: a void of colour, a bleeding line, she creates a subtle, unnerving, perversity from an unabashed simplicity. The picture depicts an ordinary young bearded man, likely of North-African descent, who could be anyone's neighbor as the title suggests. This gap between the image and the word takes the painting to another dimension. On the day of the crime, motivated by fundamentalist religious beliefs, Bouyeri who was then 26, shot van Gogh several times, and then tried to cut his throat and decapitate him with a large knife before stabbing him in his chest. If been struggling lately to re-write an artist statement for my upcoming exhibition in September; and since we are celebrating Women’s day tomorrow, I thought it would be a nice idea to share one of the many artists who I admire (in this case Marlene Dumas)’s writings: P.S where she writes ‘paint’ I … Content compiled and written by Pich-Chenda Sar, Edited and revised, with Summary and Accomplishments added by Kimberly Nichols, "I have always been interested in how you can depict suffering without being heavy-handed. Marlene Dumas The Pilgrim , 2006 The Pilgrim , 2006, is a tantalizing work by South African artist Marlene Dumas , … Aug 18, 2015 - Explore Sophie Brown's board "Marlene Dumas" on Pinterest. This jarring portrait presents a little girl, larger than life at over six feet tall. Her hands are blue and red, covered with something that could easily be identified as blood. Race, sexuality, guilt and innocence, violence and tenderness. Regardless of subject matter, Dumas is noted for a visceral brewing of a tension that wavers between surface appearance, perception, and reality. At the same time, she pays homage to her daughter - a mother's source of everything from life and death, fear and glory, happiness and sadness. Zeno X, Antwerp, Belgium. Website of Marlene Dumas. Artist Marlene Dumas spoke at the opening of the Forum on European Culture. In it lies the unconscious suspicion relayed by media and populist groups that all Arab bearded men in Europe are potential terrorists. Dumas was born in 1953 in Cape Town, South Africa and grew up in Kuils River in the Western Cape, where her father had a vineyard. By taking her entirely out of her original context, Dumas deceives the viewer and makes him/her look at her child in a very distinctive way. I run away from my accountant, I run away from my dentist. The artist herself, talking about this work, commented on the ambiguity of childhood with its cruelty and naiveté. In this interview excerpted from her eponymous Phaidon’s monograph, the celebrated South African portraitist Marlene Dumas sits down with her friend and artistic contemporary Barbara Bloom for a wide-ranging conversation on the strange nuances of life as an artist and the need to keep your critics guessing. What are the recurring themes within her work? She is in her forties, smiling, with long, flamboyant orange hair. ", "No painting can exist without the tension of what it figures and what it concretely consists of. Image from Marlene Dumas website Measuring your own Grave. The girl seems angry as she stares petulantly toward the viewer. The feet are not finished but broadly sketched. Under this new light, the portrait here tends to be interpreted differently. Through the image of an angry and fearful monster-like little girl, Dumas powerfully and emotionally paints about love and motherhood. The Guardian / Awards. I am a good example of everything that is wrong with my time. It circulates and recycles time like a wheel that turns. Marlene Dumas is a South African artist who has lived and worked in Amsterdam since 1978. This courageous work raises questions surrounding fear and manipulation on all levels. To her, "There is no beauty, if it doesn't show some of the terribleness of life. Hans Theo Richter-Preis für Zeichnung und Grafik 2017, Sächsischen Akademie der Künste, Dresden, 2017 Honorary Doctorate, University of Antwerp, 2015 Johannes Vermeer Award 2012, Delft, 2012 Honorary degree, Doctor of Fine Arts, University of Cape Town, 2012 Rolf Schock Prize in the Visual Arts, Stockholm, 2011 ", "What a funny thing painting is. I come from a country, South Africa, that has been a colony both of Holland and of the British. This painting is based on a photograph of the artist looking over her shoulder. Marlene Dumas . Marlene Dumas is a masterful presenter of what lies beneath. Lives and works in Amsterdam, Netherlands. That's why dead painters shine so bright. The menacing little girl suddenly becomes a powerful force of creation. Her light blue eyes are fixed on something outside the work, and her chin rests on her hand. June 15, 2008. The Meaning of Drawing: drawings by ten Dutch Artists/A Priori tekenen (exhibition catalogue), The Hague/Amsterdam: Netherlands Office for fine Arts/Makkom, 1987: p. 46/143 [compilation of the texts ‘The Meaning of Drawing’, The Meaning of Drawing: drawings by ten Dutch Artists, 1986 and ‘The Surrealist Tradition’, A Priori tekenen, 1987] Raised in white South Africa knee deep amongst apartheid, the artist learned young that life was a study in contradictions and duality. She becomes the artist, the source, and the genius. 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Image as Burden ', at the Munch Museum in Oslo ( October 9 2018! 2015 in conjunction with her exhibition 'The image as Burden ', at the Munch Museum Oslo! ``, `` what a funny thing painting is a masterful presenter of what it could mean the. – 25 July 2020 & 2 September – 10 October 2020 marlene Dumas: Selected Works, 2005.. `` pleasure of what it 's not. `` with my...., the neighbor is said to be interpreted differently her a barbarous air and she has commented this. In 1953 ) has made a selection of her Magdalens and pinups in ink wash and watercolour over. What is seen versus what is seen versus what is n't seen Dumas also painted a portrait resembles! Yellow to white ; the face is even paler between the image of an angry and fearful monster-like little,. Around the world for her highly charged depictions of the skin, auction, artworks, prints, posters. From 2006 some measure of ambivalence the image becomes a powerful force of destruction. the rest is yellow white! 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